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                  <text>&lt;p style="font-weight:400;"&gt;During the Colonial Period, the scarcity of specie (coin) in&lt;span&gt; &lt;/span&gt;North Carolina constituted a major problem. Settlers arrived with little hard currency and the limited trade of the province brought in inadequate amounts of coin. Since little or no gold, silver or copper (the raw materials for coins) was mined in the colony, the chief form of exchange for most of the Colonial Period was the barter of commodities—tobacco, corn, wheat, tallow, skins, pitch, whale oil, pork and beef, etc&lt;/p&gt;
&lt;p style="font-weight:400;"&gt;Paper currency was treated with some suspicion. During the Colonial Period, it was frequently issued to finance or pay off debts incurred by military expeditions. The 1748 issue, for example, paid for constructing forts at&lt;span&gt; &lt;/span&gt;Cape&lt;span&gt; &lt;/span&gt;Fear&lt;span&gt; &lt;/span&gt;and Ocracoke for protection of the coastal area from Spanish attacks. Unlike specie, paper currency was subject to counterfeiting, depreciation of face value and inflation. It wasn’t easy to convince Americans to accept the early paper currency. To encourage them, famous and respected men were recruited to sign the front of the bills by hand. The signatures on the reverse often signified a guarantee of payment.&lt;/p&gt;
&lt;p style="font-weight:400;"&gt;The individual most closely associated with&lt;span&gt; &lt;/span&gt;North Carolina currency was New Bern printer James Davis (1721-1785). Born and trained in Virginia, Davis came to North Carolina in 1749 to fill the post of public printer, an office created that year by the Assembly to print a revisal of the colony’s laws. Davis opened a print shop in New Bern, first on Pollock Street and later on Broad Street. His first job was printing currency for the province—probably the Bills of Credit authorized by the Assembly on April 4&lt;sup&gt;th,&lt;/sup&gt;&lt;span&gt; &lt;/span&gt;1748. In his capacity as public printer for North Carolina, Davis printed the succeeding issues of currency (1754, 1757/58, ______1774). While much of his work was of an official nature, Davis is credited with publishing the first North Carolina imprint. During his nearly thirty-three years as public printer, he printed at least one hundred titles. He also published a variety of other material including North Carolina’s first newspaper,&lt;span&gt; &lt;/span&gt;&lt;em&gt;The&lt;span&gt; &lt;/span&gt;&lt;/em&gt;&lt;em&gt;North Carolina Gazette.&lt;/em&gt;&lt;span&gt; &lt;/span&gt;In 1782 he relinquished his position as public printer to his son Thomas.&lt;br /&gt;--&lt;br /&gt;&lt;span&gt;This project is supported with federal &lt;/span&gt;LSTA&lt;span&gt; funds made possible through a grant from the Institute of Museum and Library Services, administered by the &lt;/span&gt;State Library of North Carolina&lt;span&gt;, a division of the Department of Cultural Resources through the North Carolina ECHO, 'Exploring Cultural Heritage Online' Digitization Grant Program.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Tryon Palace Historic Sites</text>
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                  <text>This item is presented courtesy of the New Bern-Craven County Public Library and Tryon Palace Historic Sites for research and educational purposes. Prior permission from the New Bern-Craven County Public Library and/or Tryon Palace Historic Sites is required for any commercial use.</text>
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                <text>North Carolina paper currency, value one dollar</text>
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                <text>Typeset one-dollar Bill with engraved figure Minerva leaning on a pedestal; narrow border on left inscribed: “Receivable in payment of Public Dues”; narrow border on right: (san serif type) ONE DOLLAR.” Inscription: “THE State of North Carolina/ No.283  WILL PAY TO BEARER/ [Serial letter] A/ ONE DOLLAR/ AT THE [image of a small sailing ship] TREASURY/ On or before January 1st 1866./ RALEIGH, OCT. 17TH, 1861. (signed in ink)”E Blackwood”  for Pub. Treasr.” Printed  in ornate red on reverse with in red san serif type: “ONE DOLLAR.”&#13;
Person: Minerva leaning on a pedestal.</text>
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                <text>North Carolina, Raleigh?</text>
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                <text>Permission to use the photograph must be obtained in writing from Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina. It must be accompanied by the caption” From the collection of Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina; North Carolina Department of Cultural Resources, Division of Archive and History.”</text>
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                  <text>&lt;p style="font-weight:400;"&gt;During the Colonial Period, the scarcity of specie (coin) in&lt;span&gt; &lt;/span&gt;North Carolina constituted a major problem. Settlers arrived with little hard currency and the limited trade of the province brought in inadequate amounts of coin. Since little or no gold, silver or copper (the raw materials for coins) was mined in the colony, the chief form of exchange for most of the Colonial Period was the barter of commodities—tobacco, corn, wheat, tallow, skins, pitch, whale oil, pork and beef, etc&lt;/p&gt;
&lt;p style="font-weight:400;"&gt;Paper currency was treated with some suspicion. During the Colonial Period, it was frequently issued to finance or pay off debts incurred by military expeditions. The 1748 issue, for example, paid for constructing forts at&lt;span&gt; &lt;/span&gt;Cape&lt;span&gt; &lt;/span&gt;Fear&lt;span&gt; &lt;/span&gt;and Ocracoke for protection of the coastal area from Spanish attacks. Unlike specie, paper currency was subject to counterfeiting, depreciation of face value and inflation. It wasn’t easy to convince Americans to accept the early paper currency. To encourage them, famous and respected men were recruited to sign the front of the bills by hand. The signatures on the reverse often signified a guarantee of payment.&lt;/p&gt;
&lt;p style="font-weight:400;"&gt;The individual most closely associated with&lt;span&gt; &lt;/span&gt;North Carolina currency was New Bern printer James Davis (1721-1785). Born and trained in Virginia, Davis came to North Carolina in 1749 to fill the post of public printer, an office created that year by the Assembly to print a revisal of the colony’s laws. Davis opened a print shop in New Bern, first on Pollock Street and later on Broad Street. His first job was printing currency for the province—probably the Bills of Credit authorized by the Assembly on April 4&lt;sup&gt;th,&lt;/sup&gt;&lt;span&gt; &lt;/span&gt;1748. In his capacity as public printer for North Carolina, Davis printed the succeeding issues of currency (1754, 1757/58, ______1774). While much of his work was of an official nature, Davis is credited with publishing the first North Carolina imprint. During his nearly thirty-three years as public printer, he printed at least one hundred titles. He also published a variety of other material including North Carolina’s first newspaper,&lt;span&gt; &lt;/span&gt;&lt;em&gt;The&lt;span&gt; &lt;/span&gt;&lt;/em&gt;&lt;em&gt;North Carolina Gazette.&lt;/em&gt;&lt;span&gt; &lt;/span&gt;In 1782 he relinquished his position as public printer to his son Thomas.&lt;br /&gt;--&lt;br /&gt;&lt;span&gt;This project is supported with federal &lt;/span&gt;LSTA&lt;span&gt; funds made possible through a grant from the Institute of Museum and Library Services, administered by the &lt;/span&gt;State Library of North Carolina&lt;span&gt;, a division of the Department of Cultural Resources through the North Carolina ECHO, 'Exploring Cultural Heritage Online' Digitization Grant Program.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>This item is presented courtesy of the New Bern-Craven County Public Library and Tryon Palace Historic Sites for research and educational purposes. Prior permission from the New Bern-Craven County Public Library and/or Tryon Palace Historic Sites is required for any commercial use.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>TP.1986.038.001</text>
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            <description>A name given to the resource</description>
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                <text>North Carolina paper currency, Bill of Credit value five dollars</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>James Davis</text>
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            <description>An account of the resource</description>
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                <text>Engraved five-dollar Bill of Credit issued by North Carolina. Printed from engraved copper plate with scroll and flower border on left edge and a vignette of Governor Tryon’s Palace in lower left corner. Printed inscription: “No Carolina Currency/ No 3508 FIVE DOLLARS/ This Bill entitles the Bearer to receive Five/ Spanish milled Dollars or the Value thereof/ in Gold or Silver according to the Resolu-/ tion of the Provincial Congress held at Hills-/ borough August 21st 1775.” Ink signatures on obverse:  “Rd Cogdill”/ Andrew Knox/ Rd Caswell.”&#13;
Ink inscriptions on reverse: “Ahile W [illegible]/ to/ JH” “Jas Comer to RB” “Lucy Simmens [?]/ to GD Aprl 7t.” Vertical crease at center of bill.&#13;
Building: Tryon Palace</text>
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                <text>£125,000 in Bills of Credit were authorized by the September 21, 1775 Resolution. The $5 bill of credit was issued in a series of 4,000. The vignette in the corner shows the Palace, constructed between 1767 and 1770 as government house and residence for Governor William Tryon. It is the only know eighteenth-century image of the building besides John Hawks’ architectural drawings.  The engraving reveals that the Palace originally had large urns at the corners of the parapet, in the manner of mid-eighteenth-century British country houses, while the flanking offices were plain. </text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Davis, James</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1775</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Money</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Tryon Palace</text>
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                <text>Mason, William</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="7070">
                <text>English</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>North Carolina, New Bern</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Paper money--North Carolina--Specimens</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Richards, Nancy</text>
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              <elementText elementTextId="7536">
                <text>Knight, Dean</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="7537">
                <text>Permission to use the photograph must be obtained in writing from Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina. It must be accompanied by the caption” From the collection of Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina; North Carolina Department of Cultural Resources, Division of Archive and History.”</text>
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                <text>jpg</text>
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        <name>America's 250th</name>
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                <name>Title</name>
                <description>A name given to the resource</description>
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                    <text>North Carolina paper currency, Bill of Credit value two hundred and fifty dollars</text>
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                <name>Title</name>
                <description>A name given to the resource</description>
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                    <text>North Carolina paper currency, Bill of Credit value two hundred and fifty dollars</text>
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    <collection collectionId="53">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>North Carolina Paper Currency</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Money--North Carolina--Specimens&#13;
</text>
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                  <text>Paper money--North Carolina--Specimens</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p style="font-weight:400;"&gt;During the Colonial Period, the scarcity of specie (coin) in&lt;span&gt; &lt;/span&gt;North Carolina constituted a major problem. Settlers arrived with little hard currency and the limited trade of the province brought in inadequate amounts of coin. Since little or no gold, silver or copper (the raw materials for coins) was mined in the colony, the chief form of exchange for most of the Colonial Period was the barter of commodities—tobacco, corn, wheat, tallow, skins, pitch, whale oil, pork and beef, etc&lt;/p&gt;
&lt;p style="font-weight:400;"&gt;Paper currency was treated with some suspicion. During the Colonial Period, it was frequently issued to finance or pay off debts incurred by military expeditions. The 1748 issue, for example, paid for constructing forts at&lt;span&gt; &lt;/span&gt;Cape&lt;span&gt; &lt;/span&gt;Fear&lt;span&gt; &lt;/span&gt;and Ocracoke for protection of the coastal area from Spanish attacks. Unlike specie, paper currency was subject to counterfeiting, depreciation of face value and inflation. It wasn’t easy to convince Americans to accept the early paper currency. To encourage them, famous and respected men were recruited to sign the front of the bills by hand. The signatures on the reverse often signified a guarantee of payment.&lt;/p&gt;
&lt;p style="font-weight:400;"&gt;The individual most closely associated with&lt;span&gt; &lt;/span&gt;North Carolina currency was New Bern printer James Davis (1721-1785). Born and trained in Virginia, Davis came to North Carolina in 1749 to fill the post of public printer, an office created that year by the Assembly to print a revisal of the colony’s laws. Davis opened a print shop in New Bern, first on Pollock Street and later on Broad Street. His first job was printing currency for the province—probably the Bills of Credit authorized by the Assembly on April 4&lt;sup&gt;th,&lt;/sup&gt;&lt;span&gt; &lt;/span&gt;1748. In his capacity as public printer for North Carolina, Davis printed the succeeding issues of currency (1754, 1757/58, ______1774). While much of his work was of an official nature, Davis is credited with publishing the first North Carolina imprint. During his nearly thirty-three years as public printer, he printed at least one hundred titles. He also published a variety of other material including North Carolina’s first newspaper,&lt;span&gt; &lt;/span&gt;&lt;em&gt;The&lt;span&gt; &lt;/span&gt;&lt;/em&gt;&lt;em&gt;North Carolina Gazette.&lt;/em&gt;&lt;span&gt; &lt;/span&gt;In 1782 he relinquished his position as public printer to his son Thomas.&lt;br /&gt;--&lt;br /&gt;&lt;span&gt;This project is supported with federal &lt;/span&gt;LSTA&lt;span&gt; funds made possible through a grant from the Institute of Museum and Library Services, administered by the &lt;/span&gt;State Library of North Carolina&lt;span&gt;, a division of the Department of Cultural Resources through the North Carolina ECHO, 'Exploring Cultural Heritage Online' Digitization Grant Program.&lt;/span&gt;&lt;/p&gt;</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5909">
                  <text>Richards, Nancy</text>
                </elementText>
                <elementText elementTextId="5910">
                  <text>Knight, Dean</text>
                </elementText>
                <elementText elementTextId="6006">
                  <text>Jones, Victor T.</text>
                </elementText>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5911">
                  <text>2002</text>
                </elementText>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5912">
                  <text>Tryon Palace Historic Sites</text>
                </elementText>
                <elementText elementTextId="5913">
                  <text>Craven-Pamlico Regional Library</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5914">
                  <text>This item is presented courtesy of the New Bern-Craven County Public Library and Tryon Palace Historic Sites for research and educational purposes. Prior permission from the New Bern-Craven County Public Library and/or Tryon Palace Historic Sites is required for any commercial use.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5915">
                  <text>eng</text>
                </elementText>
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            </element>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="5916">
                  <text>New Bern, Craven County, North Carolina</text>
                </elementText>
                <elementText elementTextId="5917">
                  <text>North Carolina</text>
                </elementText>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="6007">
                  <text>Money</text>
                </elementText>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="7530">
              <text>Money</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="7531">
              <text>OH: 2 9/16” (6.5 cm); OW:  3 ¼” (8.3 cm)</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="7072">
                <text>TP.1986.037.002</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="7073">
                <text>North Carolina paper currency, Bill of Credit value two hundred and fifty dollars</text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>James Davis</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7075">
                <text>Typeset two-hundred and fifty-dollar Bill of Credit issued by North Carolina with borders all around; border on top printed “NORTH CAROLINA CURRENCY”, on left side “Death to Counterfeit”, on right side” 250 DOLLARS.” Printed Text: “ Two Hundred and Fifty/ DOLLARS.  No 10161/ STATE OF NORTH CAROLINA./ THIS Bill intitles [sic] the Bearer to receive two/ hundred &amp; fifty Spanish milled Dollars, or the/ Value thereof in Gold or Silver, agreeable to an/ Act of Assembly passed at NEWBERN the 10 th/ Day of May, 1780.” Motto in lower left corner: “Querenda Pecunia/ primum est.” (Money has to be sought first). Ink signature: “Joseph Leech”.  Reverse: “CCL Dollars/ Printed by JAMES DAVIS/ 1780.”&#13;
Motto: Quaerenda Pecunia primum est.</text>
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              <elementText elementTextId="7525">
                <text>£1,240,000 ($3,100,000) in legal tender Bills of Credit authorized by the May 10, 1780 Act giving the Governor the right to issue more bill. The Governor apparently added to the issue of $25, $100 and $500 bill and created new denominations of $200, $400 and $600. Bills were printed on both sides. This denomination was issued in two series of 1,000 each. Signers included: John Ashe, Waightsill Avery, Jonathan Cooke, J.W. Caron, James Coor, David Cox, Jr., M. Frank, James Green, Jr., Is. Guion, Joseph Leech, and H. Vipon. Bill laminated in rice paper prior to donation. </text>
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          <element elementId="45">
            <name>Publisher</name>
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              <elementText elementTextId="7076">
                <text>Davis, James</text>
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          <element elementId="40">
            <name>Date</name>
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                <text>1780</text>
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            <name>Type</name>
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              <elementText elementTextId="7078">
                <text>Currency</text>
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            <name>Source</name>
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              <elementText elementTextId="7079">
                <text>Tryon Palace</text>
              </elementText>
              <elementText elementTextId="7526">
                <text>Cox, Paul M.</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="7080">
                <text>EN</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="7081">
                <text>North Carolina, New Bern</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Paper money--North Carolina--Specimens</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Richards, Nancy</text>
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              <elementText elementTextId="7528">
                <text>Knight, Dean</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7529">
                <text>Permission to use the photograph must be obtained in writing from Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina. It must be accompanied by the caption” From the collection of Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina; North Carolina Department of Cultural Resources, Division of Archive and History.”</text>
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        <name>America's 250th</name>
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  <item itemId="602" public="1" featured="0">
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        <src>https://kellenberger.mycprl.org/digital/files/original/56d2a51ab5e290e183b447be9e5daef7.jpg</src>
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              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
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                    <text>North Carolina paper currency, Bill of Credit value fifty dollars</text>
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                    <text>North Carolina paper currency, Bill of Credit value fifty dollars</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>North Carolina Paper Currency</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Money--North Carolina--Specimens&#13;
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                  <text>Paper money--North Carolina--Specimens</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p style="font-weight:400;"&gt;During the Colonial Period, the scarcity of specie (coin) in&lt;span&gt; &lt;/span&gt;North Carolina constituted a major problem. Settlers arrived with little hard currency and the limited trade of the province brought in inadequate amounts of coin. Since little or no gold, silver or copper (the raw materials for coins) was mined in the colony, the chief form of exchange for most of the Colonial Period was the barter of commodities—tobacco, corn, wheat, tallow, skins, pitch, whale oil, pork and beef, etc&lt;/p&gt;
&lt;p style="font-weight:400;"&gt;Paper currency was treated with some suspicion. During the Colonial Period, it was frequently issued to finance or pay off debts incurred by military expeditions. The 1748 issue, for example, paid for constructing forts at&lt;span&gt; &lt;/span&gt;Cape&lt;span&gt; &lt;/span&gt;Fear&lt;span&gt; &lt;/span&gt;and Ocracoke for protection of the coastal area from Spanish attacks. Unlike specie, paper currency was subject to counterfeiting, depreciation of face value and inflation. It wasn’t easy to convince Americans to accept the early paper currency. To encourage them, famous and respected men were recruited to sign the front of the bills by hand. The signatures on the reverse often signified a guarantee of payment.&lt;/p&gt;
&lt;p style="font-weight:400;"&gt;The individual most closely associated with&lt;span&gt; &lt;/span&gt;North Carolina currency was New Bern printer James Davis (1721-1785). Born and trained in Virginia, Davis came to North Carolina in 1749 to fill the post of public printer, an office created that year by the Assembly to print a revisal of the colony’s laws. Davis opened a print shop in New Bern, first on Pollock Street and later on Broad Street. His first job was printing currency for the province—probably the Bills of Credit authorized by the Assembly on April 4&lt;sup&gt;th,&lt;/sup&gt;&lt;span&gt; &lt;/span&gt;1748. In his capacity as public printer for North Carolina, Davis printed the succeeding issues of currency (1754, 1757/58, ______1774). While much of his work was of an official nature, Davis is credited with publishing the first North Carolina imprint. During his nearly thirty-three years as public printer, he printed at least one hundred titles. He also published a variety of other material including North Carolina’s first newspaper,&lt;span&gt; &lt;/span&gt;&lt;em&gt;The&lt;span&gt; &lt;/span&gt;&lt;/em&gt;&lt;em&gt;North Carolina Gazette.&lt;/em&gt;&lt;span&gt; &lt;/span&gt;In 1782 he relinquished his position as public printer to his son Thomas.&lt;br /&gt;--&lt;br /&gt;&lt;span&gt;This project is supported with federal &lt;/span&gt;LSTA&lt;span&gt; funds made possible through a grant from the Institute of Museum and Library Services, administered by the &lt;/span&gt;State Library of North Carolina&lt;span&gt;, a division of the Department of Cultural Resources through the North Carolina ECHO, 'Exploring Cultural Heritage Online' Digitization Grant Program.&lt;/span&gt;&lt;/p&gt;</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5909">
                  <text>Richards, Nancy</text>
                </elementText>
                <elementText elementTextId="5910">
                  <text>Knight, Dean</text>
                </elementText>
                <elementText elementTextId="6006">
                  <text>Jones, Victor T.</text>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5911">
                  <text>2002</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5912">
                  <text>Tryon Palace Historic Sites</text>
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                <elementText elementTextId="5913">
                  <text>Craven-Pamlico Regional Library</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5914">
                  <text>This item is presented courtesy of the New Bern-Craven County Public Library and Tryon Palace Historic Sites for research and educational purposes. Prior permission from the New Bern-Craven County Public Library and/or Tryon Palace Historic Sites is required for any commercial use.</text>
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              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5915">
                  <text>eng</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <elementText elementTextId="5916">
                  <text>New Bern, Craven County, North Carolina</text>
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                <elementText elementTextId="5917">
                  <text>North Carolina</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Money</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Money</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>OH:  2 ½” (6.4 cm); OW:  3 1/8” (8.0 cm)</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
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              <elementText elementTextId="7082">
                <text>TP.1986.037.001</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="7083">
                <text>North Carolina paper currency, Bill of Credit value fifty dollars</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="7084">
                <text>James Davis</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7085">
                <text>Typeset fifty-dollar Bill of Credit issued by North Carolina with borders all around; border on top printed “DEATH TO COUNTERFEIT”, on left “NORTH CAROLINA CURRENCY” and on right “Fifty—Dollars.” Printed text: “FIFTY DOLLARS. / No. 7127  / STATE of NORTH-CAROLINA./  THIS  Bill intitles [sic] the Bearer to receive Fifty/ Spanish milled Dollars, or the Value thereof,/ in Gold or Silver, agreeable to an Act of Assembly/ passed at NEW BERN the 10th Day of May,’ 1780.” Typeset motto in lower left corner: “Fundamentum mihi /aere Perennius” (A foundation for me more enduring than bronze). Ink signature: “Joseph Leech” Reverse: “Fifty Dollars/ Printed by JAMES DAVIS/ 1780.”&#13;
Motto: Fundamantum mihi aera Perennius.</text>
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              <elementText elementTextId="7517">
                <text>£1,240,000 ($3,100,000) in legal tender Bills of Credit authorized by the May 10, 1780 Act giving the Governor the right to issue more bill. The Governor apparently added to the issue of $25, $100 and $500 bill and created new denominations of $200, $400 and $600. Bills were printed on both sides. This denomination was issued in a series of 8,000. Signers included: John Ashe, Waightsill Avery, Jonathan Cooke, J.W. Caron, James Coor, David Cox, Jr., M. Frank, James Green, Jr., Is. Guion, Joseph Leech, and H. Vipon. Note: Bill laminated in rice paper prior to donation. </text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="7086">
                <text>Davis, James</text>
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            </elementTextContainer>
          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1780</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7088">
                <text>Currency</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="7089">
                <text>Tryon Palace</text>
              </elementText>
              <elementText elementTextId="7518">
                <text>Cox, Paul M.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7090">
                <text>EN</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="7091">
                <text>North Carolina, New Bern</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="7516">
                <text>Paper money--North Carolina--Specimens</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7519">
                <text>Richards, Nancy</text>
              </elementText>
              <elementText elementTextId="7520">
                <text>Knight, Dean</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7521">
                <text>Permission to use the photograph must be obtained in writing from Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina. It must be accompanied by the caption” From the collection of Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina; North Carolina Department of Cultural Resources, Division of Archive and History.”</text>
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        <name>America's 250th</name>
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      <tag tagId="5">
        <name>Vignette: Mottoes</name>
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        <src>https://kellenberger.mycprl.org/digital/files/original/e698f32152ea97b870cf080622822b56.jpg</src>
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            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="19110">
                    <text>North Carolina paper currency, Bill of Credit value twenty five dollars</text>
                  </elementText>
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        <src>https://kellenberger.mycprl.org/digital/files/original/7d552486492e07951c604b0fabf9cbae.jpg</src>
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            <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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              <element elementId="50">
                <name>Title</name>
                <description>A name given to the resource</description>
                <elementTextContainer>
                  <elementText elementTextId="19111">
                    <text>North Carolina paper currency, Bill of Credit value twenty five dollars</text>
                  </elementText>
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    <collection collectionId="53">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5905">
                  <text>North Carolina Paper Currency</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5906">
                  <text>Money--North Carolina--Specimens&#13;
</text>
                </elementText>
                <elementText elementTextId="5907">
                  <text>Paper money--North Carolina--Specimens</text>
                </elementText>
              </elementTextContainer>
            </element>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="5908">
                  <text>&lt;p style="font-weight:400;"&gt;During the Colonial Period, the scarcity of specie (coin) in&lt;span&gt; &lt;/span&gt;North Carolina constituted a major problem. Settlers arrived with little hard currency and the limited trade of the province brought in inadequate amounts of coin. Since little or no gold, silver or copper (the raw materials for coins) was mined in the colony, the chief form of exchange for most of the Colonial Period was the barter of commodities—tobacco, corn, wheat, tallow, skins, pitch, whale oil, pork and beef, etc&lt;/p&gt;
&lt;p style="font-weight:400;"&gt;Paper currency was treated with some suspicion. During the Colonial Period, it was frequently issued to finance or pay off debts incurred by military expeditions. The 1748 issue, for example, paid for constructing forts at&lt;span&gt; &lt;/span&gt;Cape&lt;span&gt; &lt;/span&gt;Fear&lt;span&gt; &lt;/span&gt;and Ocracoke for protection of the coastal area from Spanish attacks. Unlike specie, paper currency was subject to counterfeiting, depreciation of face value and inflation. It wasn’t easy to convince Americans to accept the early paper currency. To encourage them, famous and respected men were recruited to sign the front of the bills by hand. The signatures on the reverse often signified a guarantee of payment.&lt;/p&gt;
&lt;p style="font-weight:400;"&gt;The individual most closely associated with&lt;span&gt; &lt;/span&gt;North Carolina currency was New Bern printer James Davis (1721-1785). Born and trained in Virginia, Davis came to North Carolina in 1749 to fill the post of public printer, an office created that year by the Assembly to print a revisal of the colony’s laws. Davis opened a print shop in New Bern, first on Pollock Street and later on Broad Street. His first job was printing currency for the province—probably the Bills of Credit authorized by the Assembly on April 4&lt;sup&gt;th,&lt;/sup&gt;&lt;span&gt; &lt;/span&gt;1748. In his capacity as public printer for North Carolina, Davis printed the succeeding issues of currency (1754, 1757/58, ______1774). While much of his work was of an official nature, Davis is credited with publishing the first North Carolina imprint. During his nearly thirty-three years as public printer, he printed at least one hundred titles. He also published a variety of other material including North Carolina’s first newspaper,&lt;span&gt; &lt;/span&gt;&lt;em&gt;The&lt;span&gt; &lt;/span&gt;&lt;/em&gt;&lt;em&gt;North Carolina Gazette.&lt;/em&gt;&lt;span&gt; &lt;/span&gt;In 1782 he relinquished his position as public printer to his son Thomas.&lt;br /&gt;--&lt;br /&gt;&lt;span&gt;This project is supported with federal &lt;/span&gt;LSTA&lt;span&gt; funds made possible through a grant from the Institute of Museum and Library Services, administered by the &lt;/span&gt;State Library of North Carolina&lt;span&gt;, a division of the Department of Cultural Resources through the North Carolina ECHO, 'Exploring Cultural Heritage Online' Digitization Grant Program.&lt;/span&gt;&lt;/p&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5909">
                  <text>Richards, Nancy</text>
                </elementText>
                <elementText elementTextId="5910">
                  <text>Knight, Dean</text>
                </elementText>
                <elementText elementTextId="6006">
                  <text>Jones, Victor T.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5911">
                  <text>2002</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5912">
                  <text>Tryon Palace Historic Sites</text>
                </elementText>
                <elementText elementTextId="5913">
                  <text>Craven-Pamlico Regional Library</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5914">
                  <text>This item is presented courtesy of the New Bern-Craven County Public Library and Tryon Palace Historic Sites for research and educational purposes. Prior permission from the New Bern-Craven County Public Library and/or Tryon Palace Historic Sites is required for any commercial use.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5915">
                  <text>eng</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="5916">
                  <text>New Bern, Craven County, North Carolina</text>
                </elementText>
                <elementText elementTextId="5917">
                  <text>North Carolina</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="6007">
                  <text>Money</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="7514">
              <text>Money</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="7515">
              <text>OH:  2½”  (6.3 cm); OW:  3 ¼” (8.3 cm)</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="7092">
                <text>TP.1986.036.002</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7093">
                <text>North Carolina paper currency, Bill of Credit value twenty five dollars</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="7094">
                <text>James Davis</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7095">
                <text>Typeset twenty-five-dollar Bill of Credit issued by North Carolina with borders all around; top border printed “NORTH CAROLINA CURRENCY.” Left border: TWENTY FIVE DOLLARS.” Right border “DEATH TO COUNTERFEIT.” Main text: “Twenty Five DOLLARS./ No 183/ STATE of NORTH CAROLINA./ THIS BILL intitles [sic] the Bearer to receive/ twenty five Spanish milled Dollars, or the/ Value thereof in Gold or Silver, agree-/a able to an Ace of Assembly passed at NEWBERN/ the 10th  Day of May, 1780. Motto in lower left corner: “Dulce pro Patria/ mori” (It is pleasing to die for one’s country). Ink signatures on obverse: [illegible]/ “Jas Coor”. Printed on reverse: “Twenty Five Dollars./ PRINTED BY J. DAVIS/ 1780.”&#13;
Motto: Dulce pro Patria mori.</text>
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              <elementText elementTextId="7509">
                <text>£1,240,000 ($3,100,000) in legal tender Bills of Credit authorized by Act of the Assembly on May 10, 1880 This Act gave the Governor the right to issue additional bills. The Governor apparently added to the issued of $25, $100 and $500 bills and created new denomination of $200, $300, $400 and $600. This particular design was issued in a series of 8,000. Bills were printed on both sides. This design was issued in an issue of more than 8,000. Six different bills were issued in the $25 denomination.</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="7096">
                <text>Davis, James</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="7097">
                <text>1780</text>
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7098">
                <text>Money</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>North Carolina, New Bern</text>
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                <text>Paper money--North Carolina--Specimens</text>
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                <text>Permission to use the photograph must be obtained in writing from Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina. It must be accompanied by the caption” From the collection of Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina; North Carolina Department of Cultural Resources, Division of Archive and History.”</text>
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                    <text>Paper currency, National Bank of Newberne Note (third charter period), value ten dollars</text>
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                    <text>Paper currency, National Bank of Newberne Note (third charter period), value ten dollars</text>
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                  <text>&lt;p style="font-weight:400;"&gt;During the Colonial Period, the scarcity of specie (coin) in&lt;span&gt; &lt;/span&gt;North Carolina constituted a major problem. Settlers arrived with little hard currency and the limited trade of the province brought in inadequate amounts of coin. Since little or no gold, silver or copper (the raw materials for coins) was mined in the colony, the chief form of exchange for most of the Colonial Period was the barter of commodities—tobacco, corn, wheat, tallow, skins, pitch, whale oil, pork and beef, etc&lt;/p&gt;
&lt;p style="font-weight:400;"&gt;Paper currency was treated with some suspicion. During the Colonial Period, it was frequently issued to finance or pay off debts incurred by military expeditions. The 1748 issue, for example, paid for constructing forts at&lt;span&gt; &lt;/span&gt;Cape&lt;span&gt; &lt;/span&gt;Fear&lt;span&gt; &lt;/span&gt;and Ocracoke for protection of the coastal area from Spanish attacks. Unlike specie, paper currency was subject to counterfeiting, depreciation of face value and inflation. It wasn’t easy to convince Americans to accept the early paper currency. To encourage them, famous and respected men were recruited to sign the front of the bills by hand. The signatures on the reverse often signified a guarantee of payment.&lt;/p&gt;
&lt;p style="font-weight:400;"&gt;The individual most closely associated with&lt;span&gt; &lt;/span&gt;North Carolina currency was New Bern printer James Davis (1721-1785). Born and trained in Virginia, Davis came to North Carolina in 1749 to fill the post of public printer, an office created that year by the Assembly to print a revisal of the colony’s laws. Davis opened a print shop in New Bern, first on Pollock Street and later on Broad Street. His first job was printing currency for the province—probably the Bills of Credit authorized by the Assembly on April 4&lt;sup&gt;th,&lt;/sup&gt;&lt;span&gt; &lt;/span&gt;1748. In his capacity as public printer for North Carolina, Davis printed the succeeding issues of currency (1754, 1757/58, ______1774). While much of his work was of an official nature, Davis is credited with publishing the first North Carolina imprint. During his nearly thirty-three years as public printer, he printed at least one hundred titles. He also published a variety of other material including North Carolina’s first newspaper,&lt;span&gt; &lt;/span&gt;&lt;em&gt;The&lt;span&gt; &lt;/span&gt;&lt;/em&gt;&lt;em&gt;North Carolina Gazette.&lt;/em&gt;&lt;span&gt; &lt;/span&gt;In 1782 he relinquished his position as public printer to his son Thomas.&lt;br /&gt;--&lt;br /&gt;&lt;span&gt;This project is supported with federal &lt;/span&gt;LSTA&lt;span&gt; funds made possible through a grant from the Institute of Museum and Library Services, administered by the &lt;/span&gt;State Library of North Carolina&lt;span&gt;, a division of the Department of Cultural Resources through the North Carolina ECHO, 'Exploring Cultural Heritage Online' Digitization Grant Program.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>This item is presented courtesy of the New Bern-Craven County Public Library and Tryon Palace Historic Sites for research and educational purposes. Prior permission from the New Bern-Craven County Public Library and/or Tryon Palace Historic Sites is required for any commercial use.</text>
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                <text>Paper currency, National Bank of Newberne Note (third charter period), value ten dollars</text>
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                <text>Engraved ten-dollar National Bank of Newberne note. Face design: portrait of President William McKinley (left), issuing bank (center) red seal (right). Borders on all four sides with charter number “1632”; other numbers “N797344E” (series of 1902), “S 1632” (charter number, twice), and “4002”. Main text: “National Currency/ SECURED BY UNITED STATES BONDS OR OTHER SECURITIES./ UNITED STATES OF AMERICA./ [signed] J W Lyons/ Register of the Treasury/ [signed] Chas. H. Treat/ Treasurer of the United States.” Below: “The/ NATIONAL BANK/ OF/ NEW BERNE/ WILL PAY TO THE BEARER ON DEMAND/TEN DOLLARS/ New Bern/ NORTH CAROLINA/ Nov. 28, 1905. [signed] W. W. Griffin/ CASHIER/ [signed] JnO Dunn Vice/PRESIDENT. Reverse printed in green; center design classical female figure with steam boats in background. Text: “NATIONAL CURRENCY.” “THIS BILL IS RECEIVABLE IN ALL/ PARTS OF THE UNITED STATES IN PAYMENT/ OF ALL TAXES AND EXCISES AND ALL OTHER/DUES TO THE UNITED STATES EXCEPT/ DUTIES ON IMPORTS AND ALSO FOR ALL SALARIES/ AND OTHER DEBTS AND DEMANDS OW-/ ING BY THE UNITED STATES OT INDI-/VIDUALS CORPORATIONS AND ASSOCI-/ ATIONS WITHIN THE UNITED STATES/ EXCEPT INTEREST ON PUBLIC DEBT.”</text>
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                <text>Permission to use the photograph must be obtained in writing from Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina. It must be accompanied by the caption” From the collection of Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina; North Carolina Department of Cultural Resources, Division of Archive and History.”</text>
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                  <text>From the first sightings of land in the West Indies through the end of the eighteenth century, there was a constant demand for maps of the newfound lands on the western Atlantic. Until the early decades of the nineteenth century, most maps were the products of English and Continental (Dutch, German and French) cartographers and engravers, who often based their maps on explorer’s reports and mariner’s charts. Beyond their use for navigation, commerce and military affairs, maps had other functions. They recorded the progress of the European settlement of North America. They documented the borders between the colonies. And they provided a relatively inexpensive means of household decoration. &lt;br /&gt;&lt;br /&gt;Newspaper advertisements for the colonial period indicate that maps were available in single sheets or bound in atlases or occasionally in magazines. Before the eighteenth century, private ownership of maps and charts implied a learned and accomplished status that was usually limited to men of wealth and power involved in trade, government or education. After 1700, there was greater economic diversity in map ownership. Maps can be found in the inventories and personal papers of colonial American mariners, millwrights, tradesmen, merchants, plantation owners, clergy, government officials, military officers and tradesmen. &lt;br /&gt;&lt;br /&gt;The map collection at Tryon Palace Historic Sites &amp;amp; Gardens focuses on printed maps of the new world, with a special emphasis on maps depicting the Carolinas from the period of discovery to the Revolutionary War. This group includes examples of the work of some of the most important British and Continental cartographers and engravers of the seventeenth and eighteenth centuries. There are maps by William Janszoon Blaeu and Nicolas Sanson of Amsterdam, Jean Baptiste Homann of Nuremberg, and John Senex, Herman Moll, J. or T. Hinton, Thomas Jefferys, John Collet, Thomas Kitchin and Henry Mouzon of London. A second, smaller group of maps records changes in county boundaries in the State of North Carolina from the late eighteenth century to the Civil War. The collection also contains a number of eighteenth- and nineteenth-century surveys and topographical maps of New Bern and Craven County. &lt;br /&gt;&lt;br /&gt;Catalog entries include both a short title reference and the full title including any dedication. Size is given in inches for paper, plate and image (measured from the outer edge of the neat line); measurements are always taken along the left edge and bottom of the print. Insets are treated in the same manner as the primary image. Significant features are noted in the description. Biographical information on the cartographer or engraver is included when possible.</text>
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                <text>Hooper, S.</text>
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                <text>Hand-colored, engraved map made of two joined sheets:  A Compleat Map of North Carolina from an actual Survey. By Captn Collet, Governor of Fort Johnston. Engraved by I. Bayly. [across top of map, above neat line]  | To His Most Excellent Majesty George the IIId King of Great Britain, &amp;c, &amp;c, &amp;c, This Map is most humbly dedicated by His Majesty’s most humble obedient &amp; dutiful Subject John Collet [cartouche, bottom right] | Publish’d according to Act of Parliament, May the Ist 1770, by S. Hooper. No. 25 Ludgate Hill, London. [below neat line, center]  | Watermark: “J Whatman.”&#13;
The Collet map includes all of North Carolina from the coast westward to “Table [Rock] Mountain, near the present site of Morganton. It illustrates the western movement of population to and across the Piedmont during the middle of the eighteenth century. One of the finest provincial maps, it surpasses any previous map of the region in scope and accuracy. Henry Mouzon used it as the model for the northern half of his map of North and South Carolina (TP.1956.005.001). It is the basis for many subsequent maps of North Carolina from its appearance in 1770 until the Price-Strother map of 1808.&#13;
Born in Switzerland, John Abraham Collet (fl. 1756-1789) came to America in 1767 under the auspices of the British crown to serve as governor of Fort Johnston near Wilmington, North Carolina. In 1768 he served as aid-de-camp to Governor William Tryon in his Hillsborough expedition against the Regulators. Collet’s map is unusual in including a great deal of topographical detail. Although he did little of the surveying himself, Collet had the advantage of access to earlier surveys taken by William Churton under the aegis of the royal governors especially Royal Governor William Tryon.&#13;
The remarkable asymmetrical cartouche in the lower right corner contains a dedication to George III. Surmounted by the Hanoverian crest, it contains symbols of the new world including an Indian, an alligator and a wildcat. Relatively few copies of this map have survived. In 1959 only a dozen copies were known.&#13;
Several important sites are highlighted on the map including New Bern, the site of the new capitol, and the “Gov. H[ouse] Bellefont” at  Brunswick-town.</text>
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                <text>Permission to use the photograph must be obtained in writing from Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina. It must be accompanied by the caption” From the collection of Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina; North Carolina Department of Cultural Resources, Division of Archives and History.”</text>
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                <text>Hand-colored, engraved map: “A New Description of Carolina. Sold by Tho: Bassett in Fleetstreet. And Ric: Chiswell in St Paul Churchyard. [cartouche, bottom left] | Francis Lamb, sculp. 1676 [inside neat line, bottom right]&#13;
The map depicts Carolina from the coast to the Appalachian Mountains. It is based on John Ogilby’s 1672 map of the area and includes information on the interior of the province taken from John Lederer’s map of the same year, which purported to show the topography of the interior in the regions from the falls in the James River (in Virginia) westward to the Virginia Blue Ridge Mountains and southwest to the Carolina piedmont. The map appeared in an addendum to the 1767 edition of The Theatre of the Empire of Great Britain entitled “A Prospect of the Most Famous Parts of the World.”</text>
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                <text>Permission to use the photograph must be obtained in writing from Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina. It must be accompanied by the caption” From the collection of Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina; North Carolina Department of Cultural Resources, Division of Archives and History.”</text>
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              <text>Paper: 41 ¾” X 56 ¾”&#13;
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                <text>Engraved map made of eight joined sheets: An Accurate Map of North and South Carolina with their Indian Frontiers, Shewing in a distinct manner all the Mountains, Rivers, Swamps, Marshes, Bays, Creeks, Harbours, Sandbanks and Soundings on the Coasts; with The Roads and Indian Paths; as well as The Boundary or Provincial Lines, The Several Townships and other divisions of the Land In Both the Provinces; the whole from Actual Surveys By Henry Mouzon and Others. London Printed for Robt Sayer and J. Bennett, Map and Print-sellers, No 53 in Fleet Street. Publish’d as the Act directs May 30th 1775. [cartouche, top left] | Sparrow Sc. [below cartouche] | Publish’d as the Act directs May 30th 1775. by R. Sayer and J. Bennett [below neat line, left center] | Publish’d as the Act directs May 30th 1775. by R. Sayer and J. Bennett [below neat line, right center]. | Insets: “The Harbour of Port Royal” and “The Bar and Harbour of Charlestown"</text>
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                <text>Permission to use the photograph must be obtained in writing from Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina. It must be accompanied by the caption” From the collection of Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina; North Carolina Department of Cultural Resources, Division of Archive and History.”</text>
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                <text>This map extends from the coastal area of the two Carolinas westward to the Appalachian Mountains, Cherokee territory, upper Creek territory and part of Georgia. It was the first map of the Carolinas issued during the Revolutionary War period and was used by British, French and American forces. It remained the chief of map for the region during the forty or fifty years following its publication. Thomas Jefferys included the Mouzon map in The American Atlas (London, 1775). George L. Le Rouge published a French edition of the Mouzon map in Atlas Amèriquain Sepentrionale (Paris, 1777). That version is titled in French and English and includes an inset of the English attack on Fort Sullivan (June 28, 1776). A third version of the map was issued in 1794 by Laurie and Whittle, successors to Sayer and Bennett, using the original plates.</text>
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                <text>1768</text>
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                <text>North Carolina, Cape Lookout</text>
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                <text>Engraved map: A Survey of the Coast about Cape Lookout in North Carolina, taken the 29th of June 1756. This Draught is most Humbly Presented to His Excellency Arthur Dobbs Esqr. His Majesties Captain General, Governor &amp; Commander in Chief in &amp; over the Province of North Carolina, &amp; Vice Admiral of the Same, By His Excellencys Most Obedient &amp; most Devoted Humble Servant Arthur Mackay. [top center, below the neat line]  | This harbour is safe from all Winds, having no Bar and a wide Channell to go in; so that a Vessel without Anchors or Cables in a Violent storm, may ride safe. It abounds in a Variety of Fish and Fowl, not only for present expending but large quantities might be caught &amp; cured here. The Spanish Privateers kept a Rendezvous in the Bay the latter end of the late war. The Soundings were taken at low Water, the Tide rises about 5 or 6 feet at common Tides. [lower left quadrant]  | This Shoal was 4 or 5 leagues into the Sea about S.S.E. [lower left corner]&#13;
This well-drawn plan of Cape Lookout and the adjacent coast extending about ten miles along the shore on either side of the Cape includes soundings for the approach to the Cape. It was published in Thomas Jefferys’ A General Topography of North America and the West Indies (London, 1768) No. 58. The Spanish privateers mentioned in the text were marauders from St. Augustine, who plundered the North Carolina coast.   &#13;
Arthur Dobbs (1689-1765) served as Royal Governor of North Carolina from 1754 until his death in 1765. Arthur Mackay was deputy to the Surveyor General of North Carolina in 1763.</text>
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                <text>Permission to use the photograph must be obtained in writing from Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina. It must be accompanied by the caption” From the collection of Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina; North Carolina Department of Cultural Resources, Division of Archives and History.”</text>
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                  <text>From the first sightings of land in the West Indies through the end of the eighteenth century, there was a constant demand for maps of the newfound lands on the western Atlantic. Until the early decades of the nineteenth century, most maps were the products of English and Continental (Dutch, German and French) cartographers and engravers, who often based their maps on explorer’s reports and mariner’s charts. Beyond their use for navigation, commerce and military affairs, maps had other functions. They recorded the progress of the European settlement of North America. They documented the borders between the colonies. And they provided a relatively inexpensive means of household decoration. &lt;br /&gt;&lt;br /&gt;Newspaper advertisements for the colonial period indicate that maps were available in single sheets or bound in atlases or occasionally in magazines. Before the eighteenth century, private ownership of maps and charts implied a learned and accomplished status that was usually limited to men of wealth and power involved in trade, government or education. After 1700, there was greater economic diversity in map ownership. Maps can be found in the inventories and personal papers of colonial American mariners, millwrights, tradesmen, merchants, plantation owners, clergy, government officials, military officers and tradesmen. &lt;br /&gt;&lt;br /&gt;The map collection at Tryon Palace Historic Sites &amp;amp; Gardens focuses on printed maps of the new world, with a special emphasis on maps depicting the Carolinas from the period of discovery to the Revolutionary War. This group includes examples of the work of some of the most important British and Continental cartographers and engravers of the seventeenth and eighteenth centuries. There are maps by William Janszoon Blaeu and Nicolas Sanson of Amsterdam, Jean Baptiste Homann of Nuremberg, and John Senex, Herman Moll, J. or T. Hinton, Thomas Jefferys, John Collet, Thomas Kitchin and Henry Mouzon of London. A second, smaller group of maps records changes in county boundaries in the State of North Carolina from the late eighteenth century to the Civil War. The collection also contains a number of eighteenth- and nineteenth-century surveys and topographical maps of New Bern and Craven County. &lt;br /&gt;&lt;br /&gt;Catalog entries include both a short title reference and the full title including any dedication. Size is given in inches for paper, plate and image (measured from the outer edge of the neat line); measurements are always taken along the left edge and bottom of the print. Insets are treated in the same manner as the primary image. Significant features are noted in the description. Biographical information on the cartographer or engraver is included when possible.</text>
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Plate: 16 ¾” X 21 ¼”&#13;
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                <text>Hand-colored, engraved map: A NEW MAP OF THE WORLD from the Latest Observations. Revis’d by I. Senex. Most Humbly Inscribed to his Royal Highness George Prince of Wales. [cartouche, center top] | Cartouche flanked by putti and representations of the four continents—Asia and Europe on the left and Africa and America on the right. Below are two large hemispheres showing North and South America (left) and Europe, Africa, Asia and New Holland [Australia] (right). At the center bottom is a globe on a stand flanked by male classical figures. Globes in the upper corners illustrate “The Earth projected on the Plane of the Equator;” those in the lower corner show “The Earth Projected on the Plane of the Horizon of London.” The laid paper has two watermarks: “A B” and the top of a column with capital.&#13;
John Senex (fl 1700-1740) operated initially from premises in Cornhill, London, and later at the Globe, Salisbury Court, off Fleet Street. In 1719 he issued a handy-sized road book containing strip maps, similar to those by John Ogilby (1600-1676), but without ornamentation. He also engraved a set of large maps of various parts of the world.</text>
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                <text>Permission to use the photograph must be obtained in writing from Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina. It must be accompanied by the caption” From the collection of Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina; North Carolina Department of Cultural Resources, Division of Archives and History.”</text>
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                  <text>From the first sightings of land in the West Indies through the end of the eighteenth century, there was a constant demand for maps of the newfound lands on the western Atlantic. Until the early decades of the nineteenth century, most maps were the products of English and Continental (Dutch, German and French) cartographers and engravers, who often based their maps on explorer’s reports and mariner’s charts. Beyond their use for navigation, commerce and military affairs, maps had other functions. They recorded the progress of the European settlement of North America. They documented the borders between the colonies. And they provided a relatively inexpensive means of household decoration. &lt;br /&gt;&lt;br /&gt;Newspaper advertisements for the colonial period indicate that maps were available in single sheets or bound in atlases or occasionally in magazines. Before the eighteenth century, private ownership of maps and charts implied a learned and accomplished status that was usually limited to men of wealth and power involved in trade, government or education. After 1700, there was greater economic diversity in map ownership. Maps can be found in the inventories and personal papers of colonial American mariners, millwrights, tradesmen, merchants, plantation owners, clergy, government officials, military officers and tradesmen. &lt;br /&gt;&lt;br /&gt;The map collection at Tryon Palace Historic Sites &amp;amp; Gardens focuses on printed maps of the new world, with a special emphasis on maps depicting the Carolinas from the period of discovery to the Revolutionary War. This group includes examples of the work of some of the most important British and Continental cartographers and engravers of the seventeenth and eighteenth centuries. There are maps by William Janszoon Blaeu and Nicolas Sanson of Amsterdam, Jean Baptiste Homann of Nuremberg, and John Senex, Herman Moll, J. or T. Hinton, Thomas Jefferys, John Collet, Thomas Kitchin and Henry Mouzon of London. A second, smaller group of maps records changes in county boundaries in the State of North Carolina from the late eighteenth century to the Civil War. The collection also contains a number of eighteenth- and nineteenth-century surveys and topographical maps of New Bern and Craven County. &lt;br /&gt;&lt;br /&gt;Catalog entries include both a short title reference and the full title including any dedication. Size is given in inches for paper, plate and image (measured from the outer edge of the neat line); measurements are always taken along the left edge and bottom of the print. Insets are treated in the same manner as the primary image. Significant features are noted in the description. Biographical information on the cartographer or engraver is included when possible.</text>
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          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <description>The actual physical size of the original image</description>
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              <text>Paper: 17 9/16” X 21 15/16”&#13;
Plate: 15 ¼” X 20”&#13;
Image: 15 ¼” X 20”</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Virginiae, partis australis, et Floridae…</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Blaeu, Willem Janszoon</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <description>An entity responsible for making the resource available</description>
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                <text>Blaeu, Willem Janszoon</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1640</text>
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            <description>The nature or genre of the resource</description>
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            <name>Source</name>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>North Carolina</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Hand colored, engraved map showing the Atlantic coast from Chesapeake Bay to below Cape Francois and as far west as the Appalachian Mountains and Lake Norman. Title: VIRGINIÆ parties austrailis et FLORIDÆ parts orientalis interjacentiumq3 regionem NOVA DESCRIPTIO. [cartouche]  | Coat of arms of Britain [in Virginia]; coat of arms of France [in South Carolina]. Putti holding banner with scale [bottom, center right].&#13;
The map was included in Le Théâtre du Monde, ou Novvel Atlas (Amsterdami, 1638), Vol. II (1640) by Willem Janszoon Blaeu and his son Joan Willem Blaeu. The map is based on the large 1606 Mercator-Hondia map of the same area. It was copied by Jan Jansson for his Nieuwen Atlas of 1641 and appeared in several editions of Jansson’s atlases. There is no mention of Carolina, which was not named until 1663.&#13;
Amsterdam-born Willem Janszoon Blaeu (1571 – c. 1646) was in business by about 1596 as an instrument maker and globe manufacturer. He later became an engraver and printer. Working with his sons Joan Willem (1596 – 1673) and Cornelius (died 1642), Blaeu produced some of the finest maps of the period. This can be seen in the quality of the engraving, the sense of design, and the beautiful cartouches. For his service to navigation, in 1633 Willem Blaeu was appointed mapmaker to the Dutch Republic.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Permission to use the photograph must be obtained in writing from Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina. It must be accompanied by the caption” From the collection of Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina; North Carolina Department of Cultural Resources, Division of Archives and History.”</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <description>A name given to the resource</description>
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                  <text>Tryon Palace Maps, Plans, and Surveys</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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              <description>An account of the resource</description>
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                  <text>From the first sightings of land in the West Indies through the end of the eighteenth century, there was a constant demand for maps of the newfound lands on the western Atlantic. Until the early decades of the nineteenth century, most maps were the products of English and Continental (Dutch, German and French) cartographers and engravers, who often based their maps on explorer’s reports and mariner’s charts. Beyond their use for navigation, commerce and military affairs, maps had other functions. They recorded the progress of the European settlement of North America. They documented the borders between the colonies. And they provided a relatively inexpensive means of household decoration. &lt;br /&gt;&lt;br /&gt;Newspaper advertisements for the colonial period indicate that maps were available in single sheets or bound in atlases or occasionally in magazines. Before the eighteenth century, private ownership of maps and charts implied a learned and accomplished status that was usually limited to men of wealth and power involved in trade, government or education. After 1700, there was greater economic diversity in map ownership. Maps can be found in the inventories and personal papers of colonial American mariners, millwrights, tradesmen, merchants, plantation owners, clergy, government officials, military officers and tradesmen. &lt;br /&gt;&lt;br /&gt;The map collection at Tryon Palace Historic Sites &amp;amp; Gardens focuses on printed maps of the new world, with a special emphasis on maps depicting the Carolinas from the period of discovery to the Revolutionary War. This group includes examples of the work of some of the most important British and Continental cartographers and engravers of the seventeenth and eighteenth centuries. There are maps by William Janszoon Blaeu and Nicolas Sanson of Amsterdam, Jean Baptiste Homann of Nuremberg, and John Senex, Herman Moll, J. or T. Hinton, Thomas Jefferys, John Collet, Thomas Kitchin and Henry Mouzon of London. A second, smaller group of maps records changes in county boundaries in the State of North Carolina from the late eighteenth century to the Civil War. The collection also contains a number of eighteenth- and nineteenth-century surveys and topographical maps of New Bern and Craven County. &lt;br /&gt;&lt;br /&gt;Catalog entries include both a short title reference and the full title including any dedication. Size is given in inches for paper, plate and image (measured from the outer edge of the neat line); measurements are always taken along the left edge and bottom of the print. Insets are treated in the same manner as the primary image. Significant features are noted in the description. Biographical information on the cartographer or engraver is included when possible.</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Maps</text>
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              <text>Paper: 31 7/8” X 40 11/16”&#13;
Plate: 31” X 40 5/16”&#13;
Image: 30 5/8” X 39 7/8”</text>
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            <name>Identifier</name>
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                <text>TP.1957.049.018B</text>
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            <description>A name given to the resource</description>
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                <text>L'Asie…</text>
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                <text>Daudet, Jean-Louis, 1695-1756</text>
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            <description>The topic of the resource</description>
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                <text>Asia--Maps</text>
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            <name>Publisher</name>
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                <text>Unknown</text>
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            <name>Date</name>
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                <text>1752</text>
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                <text>Colored, engraved map, made of two joined sheets: “L’Asie Divisée selon tous ses Etats Empires et Royaume &amp;c. Dressèe sur differents memoires. A Lyon Chez Daudet rue mercierre 1752.” (Translation: Asia divided according to states, empires and kingdoms etc. set out according to various recollections) [cartouche, upper left]   Series of 30 scenes surround the map. Each scene is identified by a French text.&#13;
Scenes (clockwise from upper left corner) include: “”Prise de Damiette;” “Conquête de la Chine par les Tartares Occidentaux;” “ La Mort de Saint Francois Xavier;” “Sacrifice de Noe a la Sortie de L’Apache;” “Division de la Terre Pap des Enfans da Noe;” “Election d’Abraham;” “Tour de Babel Confusion des Langues;” “Victoire de Tamerlan;” “Imposture de Mahomet;” “Invention de la Croix;” “Le 1er Concile General de Nicée;” “Prise de Jerusalem parles Romains;” “Matyre de la’Apostre St Thomas;” “Descente du St Esprit;” “Notre Seigneur J.C Crucifie;” “Naissance de Notre Seigneur J. C.;” “Sacerdoce de Melchise de Ch[illeg.];” “Monarchie des Romains;” “Monarchie des Grecs;” “Ester;” “Prise de Troye;” “Le Temple de Salomon;” “Prise de Babilonne par Cyrus;” “Festin Sacrilege de Balthasar, et Sa Puniton;” “Judith Co[missing] la Tete a Holopherne;” Dieu Donne  sa Loix aux Israelites;” “Chasteté de Joseph;” “Sacrifice d’Abraham;” “Destruction de Sodome;” “Prise de Jerusalem par les Croisez.”</text>
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                <text>Permission to use the photograph must be obtained in writing from Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina. It must be accompanied by the caption” From the collection of Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina; North Carolina Department of Cultural Resources, Division of Archives and History.”</text>
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                <text>See also Daudet’s “Map of Europe” (TP.1957.049.018A).</text>
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                <text>TP.1958.029.002</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7193">
                <text>Plan der Schwytzerischen Coloney in Carolina, angefangen im October 1710  [Plan of the Swiss Colony in Carolina]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7194">
                <text>Graffenried, Christoph von, Baron, 1661-1743</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7195">
                <text>New Bern (N.C.)--Maps</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="7196">
                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7197">
                <text>1710</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7198">
                <text>Maps</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="7199">
                <text>Tryon Palace</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7200">
                <text>German</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="7201">
                <text>North Carolina, New Bern</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8236">
                <text>Photostatic copy of a hand-drawn map of the New Bern area by Christophe von Graffenried. Plan der Schwytzerischen Coloney in Carolina, angefangen im October 1710 durch Christophel von Graffenriedt und Frantz Ludwig Michel [title]  | Anlage der Stadt Neu-Bern 1710 Nach einem Plane der Bibliothek von Mülinen  [printed title below]&#13;
 | Typed paper label on the reverse: THE LANDGRAVES MAP OF NEW BERN the de Graffenried Family Collection Item No. 7 Donated by Thomas P. de Graffenried.”&#13;
Photostatic copy of manuscript map mounted on artist’s board. Plan of the Neuse and Trent Rivers from their confluence towards their sources, with the location and occasional identification of homes on their banks. In 1914, the German-American Historical Society at Philadelphia published the map, together with a French version of von Graffenried’s account of the Swiss settlement at New Bern. Last located in a private collection in Bern, Switzerland at the end of World War II, the original map is currently located in the Burgerbibliothek Bern: Mss.Mül.466 (3a).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8237">
                <text>Permission to use the photograph must be obtained in writing from Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina. It must be accompanied by the caption” From the collection of Tryon Palace Historic Sites &amp; Gardens, New Bern, North Carolina; North Carolina Department of Cultural Resources, Division of Archive and History.”</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8238">
                <text>jpg</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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</itemContainer>
